Former leading left-wing thinktank, i.e. Wojciech Orliński's blog Excursions in Discurs in a circumstantial way responded to the defeat of Ubisoft. What was that all about?
Well, the gaming manufacture is now as large as films and music combined. It has grown enormously in about 30 years, the beneficiaries of this interesting process are films like Ubisoft, which is simply a household venture. He began his business in 1986, reaching rather late dense billions of values. But they started there in a line where men mostly play games and you can extend the player base to women, minorities, LGBT+ (hereinafter: substitute proletariat). And they started hiring this replacement to be a representation. The effects are known: from 1 point in time the game began to roll. And the game's failure is now a failure of up to $200 million. Skull and Bones – that's the game they released. They besides released Star Wars Outlaws. Of course – the game from this universe is self-play. But the heroine looks like a trance, which is simply a man dressed as a woman. Assassin's Creed: Shadows hasn't come out yet, and there's a problem: they figured out that the hero would be Negro, and the game is happening in Japan. The nipponese got mad about it, any lawsuits flew. Now they have postponed the premiere for the anniversary of the sarin bombings on the subway. There was a black man in Japan, but nobody knows who he was or anything. His existence is no reason to make him a hero of the game. In erstwhile games from this series the hero was local and people around the planet want a local. For years, they have postulated players placing action in Japan due to the fact that there are ninjas who are the archetype of the assassin. And it's like a 100 and fifty.
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It is not understood for alternate proletarians that the exchange of experts for an activist must bring down the quality, due to the fact that activists are incompetent erstwhile creating games, make a toxic atmosphere where no 1 will shrink and say that production sucks. Only players verify and do not buy. The fresh orientation was created: non bullary. That's people who don't buy colloid games.
Apart from the "Slit Bejbi" scandal, Hogwart Legacy, based on Harry Potter, left a while ago. What a quirk, what boycotts, how panic was. This full Rowling from Potter stayed in the erstwhile phase and fell into a ellipse of transphobia. And the activist terrorized strimers, players, etc. Plus, the game was a commercial success due to the fact that it sold.
How does Orliński respond to these phenomena?
Well, it's worth more to make SW Outlaws than Hogwarts, due to the fact that it pays more to take care of trances than transphobics. He ignores Disnej's probolem, which struggles with Star Wars. He wants to make pubic productions, and for audiences he has to make noncollateral productions (Mandalorian). And it's called thawing, or NEP. You request to pay attention to the circumstantial approach to the reality there, having the hallmarks of manipulation. What happens to amusement parks and toys? Whether Disnej's productions having any success are heavy sloping, or whether the toned and the prowl is withdrawn there. I think Tera pulled the transcrete. I don't remember if it was a cattle individual or anything, but they pulled it.
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In the meantime, this is what it takes: can a revolution be carried out without means of coercion? Toco can now be compared to 1947: changing culture to anticulture, publishing policy, changes in textbooks. Issue of textbooks translated from Russian, where past began in 1017 with the October Revolution, etc., etc. The writers had the means to make and spread these issues here, so let them work. I would add that Lenin had the strength behind him as he drove the parliament. They are now amazed that societies are resisting terror, which was necessarily very limited. They chose Trump, and announcement the changes. The feisty tube has softened, etc. They were based on commercial companies, which cannot origin losses indefinitely, due to the fact that they would fall like Ubisoft.
They lost the bastion of shaping the world's opinion, i.e.Tlitter, the feisty soft pipe. Before that, they were able to make it hard for people to live by taking down profiles on Facebook, They controlled a large condition of conventional media – erstwhile individual wrote something out of line, they lost their livelihood. And that was circumstantial repression. But times change. I don't realize the full surprise of resistance. Like it's coming off the moon.
They do not ask the question whether the revolution can be carried out with means of embarrassment, or by telling us that we are bad and phobias. past repeats itself as a farce.
PS:
1. In the text, I present various interesting broadcasts.
2. Link to this thinktank:
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Orliński there sings russian science, the symbol of which is Lysenko. It proved the inevitable triumph of communism.
3. The political aspects of the situation will be.
4. About the replacement proletariat:
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5. Titled nipponophobia is an aversion to Japan, shown in Ubisoft.
