However, while the national scene has large actors, including wife, daughter, son-in-law, father-in-law, stepdaughter, granddaughter and many uncles of Jan Englert, the political scene has featured only erstwhile people of Zbigniew Ziobra in its latest, alternatively mediocre performance.
They are actors from the second league, after law school, without the charisma of president Jarosław, without the drama and the essential amount of madness, which Antoni Macierewicz always presents on stage, or yet without the comedy talents of president Duda.
The performance, like Hitchcock's, began with a strong accent. The president of the Constitutional Court Bogdan Święczkowski, commonly referred to as Godzilla, announced that Tusk and its "smelling sphere", i.e. the government after cosmetic changes, quietly introduce the odor of the state.
In general, the erstwhile Deputy Ziobry was about the fact that the odor situation in Poland has deteriorated importantly since the Cats Collector Gang ceased to control the situation in beauty salons.
Another associate in the performance, D.A. Michał Ostrowski (actor from Ziobry stable) confirmed the following day that something smells bad to him here. Following this opinion, he was suspended by prosecutor Bodnar in his odor duties.
According to perfumers, what Godzilla's friends did earlier was not a smell, but a bad smell, and it was essential to rapidly air the rooms so that the country would not suffocate itself.
Meanwhile, right-wing media with tv Republic headed by the script began to sale information about the bad smell, specifically about the odor of the state, thus teleporting in any of their older and little intelligent viewers panic attacks and collective nasal congestion habits.
This kind of reaction resulted in massive buying out nosedrops and handkerchiefs, leading retailers to tears. Laughter.
In general, however, there is no 1 to laugh, due to the fact that all participants of the show had faces as gloomy as after Wehrmacht entered Warsaw in 1939. Politic theatre experts believe that the performance of Święczkowski fits mostly in the strategy of human comedy Zbigniew Ziobry, which consists in the constant insurgency of drugstores and media sound and the depreciation of opponents.
Unfortunately, besides many low-cost tackles, the low credibility of the actors and the worn-out props caused the show to neither kidnap nor convince besides many viewers, as evidenced by the latest research, which revealed that only eleven percent of the audience were temporarily convinced to perform.
