Sternica and Chapel

That's not how the period ends. Nowadays, you do not make the alleged cliffhanger, or double section, of which 1 part is in 1 period and the second in the next. due to the fact that they're scanning the show's "cancel culture" and we're not gonna know how it ended. Unless they print a comic book. And the cliffleader ended with the 2nd period of the Star Trek series: unusual fresh Worlds. period uneven. So I'm going to start by calculating the top insults:

1. It can't be that a man saves a woman. Meanwhile, here, for example, pkpt (future captain) Kirk saves Uhura, and Captain Pike saves La’an, which in addition is the subject of the episode. Meanwhile, only strong, brave, independent can save a man, nothing from GoGaldriel Sauron.

2. Cry. They cry a little, but all time a different individual blurs the effect. For example, La’an cries of longing for Kirk, who is no longer there and never was. They don't hit mines like Michasia Burnham at Discovery at all. Those mines make my milk in the fridge sour.

3. The series has a procedural formula, i.e. as a rule, episodes constitute a closed whole, like in Orville or TNG. It's easier to compose that, due to the fact that these another shows are frequently extended to 10 hours and so boring. In the unusual fresh Worlds (SNW), the scripts are good in principle, but for fans, the creators prepared a appropriate dose of absurdity, nonsense and paranoia.

4. The episodes are dedicated to individual heroes who have their own 5 minutes.

5. Many romances are besides against. A spectator expecting specified an Isaura Slave to be content. But he won't see it due to the fact that he doesn't know. How does he know about the melodrama that plays?

**

In 1964, a Star Trek (The Cage) tv series pilot was formed. The crew there was different from the 1 we know. Captain Enterprise was there Krzysztof Pike, who had an adventure with illusionists looking like people with a butt on their heads. The description said yes, but no, and 1 more pilot is needed. A fresh cast came in with Captain Kirk, known to us, headed. And they're the first canon crew. There's only Spock left of The Cage. The unusual fresh Worlds series tells about the adventures of this first crew, with Pike, Una, Spock, Uhura, M,Benga, Chapel headed. She besides introduces fresh heroines: the Ortegas helm, head of safety (?!?) La’an. There's besides kmdr Pelia, who's a phantom. Ortegas speaks of himself in the 3rd person. Isn't that a disorder?

We're dealing with an ancient tragedy here. For we know what will neglect due to the fact that it is simply a pretzel. The creation of a pretzel is an extraordinary creative challenge for apparent reasons that I will not develop. Heroes are earlier little experienced and developed than later, and this needs to be taken into account.

**

In the ninth episode, cosmic rapsody is simply a phenomenon on a cosmic scale. The subspace wave, which can improve galactic communication, creates a wave of techno-beelkot, which results in quantum insignificance in which musical principles prevail: people trying to express emotions begin to sing, and as it is not adequate they dance. It's here anyway. Very good songs, sung in musical style. The crew has to handle the singing. In addition, Klingons come in, for whom it is an insult. Singing about feelings, emotions is not honorable to them. This episode will appeal to casual viewers, and I think it is the best episode of this series and the best episode of this year. It is based on understanding: individual had to compose and arrange songs, match them to the plot, etc. Unlike specified thoraxes as ringing of Pal and Witch, everything here is based on thinking. It's fresh adequate that the audience will mature into it in a while. Similarly, Blade Runner was ahead of his time.

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The second imaginative episode is the seventh part of these old scientists where we have connected to the Lower Decks cartoon: on Enterprise through the space-time portal you get 2 visitors from the future 120 years time and from cartoon two. The episode so has a double form: cartoon in cartoon and acting in the acting part. This thought is utilized well, we have a contrast of behavior: those later (Boimler and Mariner) are extraverted and emotional and distracted and disorganized. And those earlier so average and subdued.

In this situation, temporal rules are on the agenda, so as not to change anything that would change the future. Of course, this does not work and visitors make changes, but they make past straight. They're changing the future to what it's expected to be. But here we have half of the time loop presented: the information about the journey into the past should go to Boimler and Mariner in the future and affect their actions in order to lead to this journey. Here we have an infinite recursion whose graphic component is the image created by directing the camera to the monitor screen.

**

Spock's affair with the Chapel comes to the fore. Krystyna Chapel serves as a caregiver and in TOS she had a crush on Spock. But there it looks like she never confessed and it was so unspoken. Here, however, he must confess what leads to an affair. Spock has a girl here on the ship and an authoritative fiancée on the planet Volcano. He deviates from the upright personality of later Spock. He's trying to figure it out. The impact of this love is caused by a visitor from the future, who enlightens the Chapel: the future needs Spock the drowsy one, which misses the chance of her happiness.

In turn, Captain Pike has an affair with the Bethel captain and they endure from communication problems. In addition, Pike has been transferred to the future and knows erstwhile he will die. Which means he knows he's not gonna die until he dies. Therefore, he has serious arguments for failure to commit.

La’an, in turn, is dragged into temporal turmoil with the motive for alternate reality. Here the Romulans intrigue and change the timeline, a wounded time police officer hits La’an and gives her these hiobic news. In the fresh reality, the captain of the Enterprise is Kirk and it's mostly worse. La,an and Kirk are moving into the past inadvertently and they're heading for the rescue of our timeline. La’an falls in love with this Kirk, unfortunately the mission ends successfully and he disappears. Drama like Shakespeare.

As you can see, the love themes that are immersed in physical sauce dominate here. We inactive have a bad start to the season. They could already give there a non-American judicial wire, specified as ours with the right to refuse testimony, postponement of trials, etc. It would be innovative.

**

Strange fresh Worlds are mostly commercial. many failures of the Discovery series forced the description to quit much of the ideological debauchery. Yes, it is, and the most progressive character is the Ortega helm. However, it is experiencing adventures that are incompatible with the spirit of voicism. We have a number of crewmen who aren't fucked up. That's what he's bragging about. In the Rings of Pala there was specified annoying manners that strong, brave, independent immediately screamed his mouth. A average man wants to borrow a lawnmower from his neighbor, he takes a bottle and walks smoothly. And Go Galadriel immediately with a mouth: what I am and you do not know who I know and see. This is not our civilization and SNW is. That's why you're looking at it in proportion due to the fact that it's a tv show for viewers. He's clearly racing with an Orville for songs and romances.

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PS: present Ahsoka left and there is no start to Mando and SNW. It's gonna be comparative about her now.