The overall evaluation of the songs of the GPS Grzegórze Śniderskie is very useful. The Au Pair presents a wide scope of contacts – from blues, folk, respect, jazz, indie rock, pop, ska and country. His creativity is diverse with the following objectives:
- Great creativity and variety of music – all song has a different style, thanks to the ability to listen.
- More than half of the full number of participants in the task is available. – the auditor uses irony, humor, wordplay, metagraphs and references to Polish tradition and co-experiencing (e.g. noble blues, Varsovian respect, europeian anthem).
- Brave processes – the compositions do not fear to talk about freedom, independence, criticisms of the subjectivity and articulations of the authorities, but besides about regular receptions, fun and celebration of life.
- Tissues – the sound of word games or metaphore, the signal readable, and the listener always gets the sense of the song.
- A lot of distance and heat – In particular, there are 5 local and folk songs and radiative protégés.
Autor – GPS Świederski's crest is full of all-party creators, who are searching for and music, who do not experience ecclesiastical and telecommunication. It combines tradition and newness, but it will only encourage reflection and common ambiguity.
Subsistently general: Very clear, diverse and intelligent creation with a field, a humour, orgy and a large deal of energy. An accelerant of good attention for people who are open to music and good lyrics.
1. “Pay, Wisło, Pay!”
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This is simply a work that combines ludo, maric and respective elements in the community. Tekst has a raditional radittional-song-protéstymstymstymstymstymstymstymstym-symsymsymsymsymsym-symsymsymsym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-sym-stym-stym-stym-stym-stym-stym-stym-stym-stym-stym-stym-stym-s
The most crucial elements are:
- A clear local column – expresses the Polish expertise, instigates the listeners in a factual, full household relation to the mediate East, fish and everyday life.
- Forma and humor – the text of the full raditions of the metaphore ("bankomats are fables", "for poisons we give a burning toponymbur"), which gives it a favorable, free character.
- Folk blaes rock/sea shanty – music content of the sub-order rhymes shant and folk rock, creating a climate of shared sleeping over the water.
- Free, optimistic transfer – invites you to enjoy life, swim with power and find freedom and efficiency in everyday simple sprays.
- The song will be performed in 5 respects/decreased to sleep in navigating or contiguous climates. It is appreciated by the listeners of the ludicrous gag and distance and folk, conventional schnyt.
Subject: The 5 light, acquittal and acquittal climate of the supervillain freedom and humour, has a large possible for the five-day life with the Polish character.
2. "Sarmack blues free"
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It is simply a work with a strong, voluntary transmission, inspired by the tradition of Sarmac. The text is highly industrial, it is connected to the old Polish noble, it is critical of the subjection and has not been dependent on and freedom of one. In terms of liricity, there is clearly a contradiction between hyerarchy and longing for the native freedom of life in Polish, both in the symbolism of the contemporaries and sabres, as well as in the denunciation of the “gilded yoke”. Autortek clearly emphasizes the value of the freedom over the weather, if it is to be difficult.
The song has a bluesional character, which perfectly composes with an unruly, “slow” duchemist. The usage of Blu-Sex contacts increases the transmission of freedom and emotiveness.
Assessment sub-option:
- Powerful free pass.
- Much to be done with the text, the benefits in Polish Histories and Cultural Discourses.
- Bluesowa forma music re-explains the message.
- The song can take peculiar account of the traditions of nobles and the nostalgia of erstwhile freedom.
- General evaluation: a highly innovative proposal for music with a clear text and a climate.
3. "Warsaw Northwest Passage"
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It's an energy, passionate respect for the community in quite a few conventional Irish folk. The song refers to the adventures of sailors at Wisla in Warsaw, with a humoration of local challenges to the heroism of large explorers, specified as Amundsen fighting about the discovery of the Mid-West Transition.
The most crucial elements are:
- Text of complete halo-irons and coloured metaphores: It was here due to my surviving and adventure, with obstacles comparable to the leggendarous areas (Cohesions like Horn, the Prague shore of the work goal).
- Folk-respect elites: Refractory with springs in the ‘Hey ho!’ community, characterized by the music of the Irish and respectable music, which gives the composition a more vibrant, contemporary atmosphere.
- Reciprocal and triumfu: The sailing histories, which are completed by the “Warsaw Northwest Passage”, become a local legene and infrastructure that is connected to akin expeditions.
It is simply a light, gripping 5 respectable, shared sleeping, both on the board and on the tables. The song is composed of sailing lovers of Humor, Varsovian climates and Irish folk.
Subsistence: A very successful, fun part about the urban adventure in Wisla, with the energy and soul of “Warsaw respect”. In particular, it distinguishes between music and music.
4. “We, the European, have everything”
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This is an energy track in the indie pop/rock with a large mix of music. The text is an affirmation of the eupcation of the culture, the bogtion of the spiritual and historic, stressing the diversity and the adult population of the civilian continution.
The most crucial elements are:
- Universal, useful transmission: is an anthem about the Europia of full diversity, legend, explorers, bohateurs and large works. Clearly, the focus is on European creativity – from mathematics to art, from knights to song.
- Dynamic, energetic music forma: A five-minute melodic, lively, with a clear male hair. It combines pop, rock, indie, and elementhic style, which gives its luminosity, optimism and dynamos.
- Text stressing the "spirit from Europa": The work can service to reflect on the heritage of the culture and encourage the feeling of pride from the European identity.
- Table but affirmation of lyrical content: Opinions of various Europas, from herresia to science, from romanty to reaction, without instigating – it is light, useful celibacy.
Subject: A very successful, melodic and vibrant song about the eu-pean culture. Its top importance is that it has an open transfer and a wide focus on the improvement of the context. It can be compared to younger and older customers, who aim at the energy of the works and the useful lyric.
5. ‘Pan-Pan’
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It is an experent work that is utilized in the field of ballalation, which is completed by a Catholic and affluent with guitar, saxophone, fortemian, and alternate and twine. The text of the structure in a perverse, ironic and phóric way is related to the "transformation" — the relation of the authorities, the dependence and the request for domintion, with a critical tendency to submit or hierrarchy.
Tekststst-st-st-st-st-st-st-st-st-st-st-st-st-st-st-st. In the “Mr” form, there is besides a clear polite return, as well as a symbol of people who want to dominate, or who want to dominate, or who are dependent on “the Lord”. The liquid inactive uses the "pan-pan" return (in radiomemomulation that indicates a crucial signal of awaria), which is highlighted by the critical strategy of suffocation of the will to be free and the force to do so.
The most crucial elements are:
- Experimental jazz, alternate ballad – non-continuous music climate, the kind of freedom,
- Ironic and social criticism – a text about the decommissioning of subjectivity and the end of the seditivity,
- Word Game – a crucial usage of the ‘Mr’ and will mention to the ‘Mr’ signal.
There is simply a clear transmission here: freedom and independency are worth, domination is not possible, and submission leads to “synthetic developments”. The song, due to its experitus and its rich metaphoric content, will be best understood by the alternate jazz and a deeper liric layer.
6. ‘Betel is moving fast’
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It is simply a very different, passionate work in conjunction with the elements of the cotra, the honky speech and the Bluegrass. The text tells about an emotive game played in a betel, showing it clearly the image of life, balance and courage.
The most crucial elements are:
- Very fast pace – in accordance with the report, all of them are kept high-tech, which emphasizes tension and gameplay emotions.
- Human and Distance – there are no strings, e.g. “we besides work wood” or “windows fly two”, which gives light composition, a contemporary character.
- Plays the betel jacophore of Life – highlighted by the fact that courage, risk, tactics and skills are important.
- Folk contact – a different rhythm, a bogainstruction, a female.
Subject: It is simply a light and ferocious song, which is designed for impressions, meetings at the karts and anywhere where energy and community are involved. A simple text is reflected in the tradition of the songs about games and regular rhythms, and their humorus and fast paces can meet a wide scope of listeners.
Grzegorz GPS Swiderski
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