"Cathin 1941: Hollywood What I Don't Want To contact Hollywood"

grazynarebeca5.blogspot.com 2 months ago

(to the left, Poles told their version of the events in the 2007 film)

Communist Jews shot 20,000 officers of the Polish Catholic Army in 1940.

Thesis of my 4th set Illuminati 4: War and Genocideis that organized Jewry (Rothschilds) is controlled by Chabad, a satanic cult that fulfills the biblical prophecy by initiating another planet war to exterminate non-Satanists, including assimilated Jews. Trump, Putin, and Netanyahu are members of Chabad. They are the main actors in this deadly farce.

I forgot to mention the Katyn Crime in the book. Katyń is another example of the centuries-old revenge of organized Jewry and masonry against Christian civilization. I'm making up for it today.

Why did Hollywood ignore this incredible communicative of heroism? With six degrees of separation, Hollywood (or America, actually) It is ruled by the spiritual descendants of the Katyn murderers. The same applies to Russia, which one more time murdered 97 members Polish elite, who arrived in Smolensk in 2010To mourn the Katyn crime. The Allies hid it during the war and continued They're suppressing them. Journal of Zaitsev describes the Christian character Resistance of Polish officers to communist indoctrination. Their lives would be spared if they accepted Satanism. Now we're all in this position.

(since 2009 and 2018)

Written by Henry Makow Ph.D.

"Defiance", another movie about judaic victims and heroism, he entered the screens of American cinemas in 2009.

This communicative of judaic guerrillas fighting the Nazis fits into a increasing genre of Holocaust films that includes Sophie's selection, Schindler's list,Pianist

and lately The caretaker's wife.

But 1 amazing judaic past of genocide continues to slip distant from Hollywood. This is the execution of 20,000 Polish prisoners of war officers (holy Catholics who constituted a crucial part of the Polish elite) by the Bolshevik NKVD led by Jews in the Katyn Forest in 1940.

Why did Hollywood ignore this story? In my opinion, with six degrees of separation, Hollywood (and in fact America) is yet governed by the spiritual descendants of these murderers.

In this way we have brainwashed to ignore genocides that do not fit the Nazi-Jewish paradigm. Movies are essential in this programming. As part of the ongoing intellectual war against the Christian European majority, we are forced to identify with minorities. If we object, we will be declared Nazis.

82-year-old Andrej Wajda, the most celebrated Polish movie director, lost his father in Katyn. In 2007, Wajda made a movie about this genocide and its effects on the families of the victims. movie financed by Polish tv "Katyń" proved to be a large artistic and commercial success in Poland. The movie was nominated for an Academy Award for Best abroad movie in 2008 and did not find a wide distribution outside Poland.

He didn't win an Oscar. The award went to the judaic Holocaust film, "Falsher," "real history" from Germany. It described the moral dilemma facing the judaic master of forgery forced to counterfeit British and American currency. ("Should I sabotage this process?") I saw that movie. This is simply a pleasant propaganda that helps viewers identify with Jews. In real life, I uncertainty the hero had specified moral scruples. He's already filled his pockets in the movie.

CASTON

Here. a trailer for the movie Cathin. I haven't seen the film, but I've come across information that illustrates why it's the material that makes epopies.

To begin with, any information from Wikipedia: "Because the Polish collection strategy required that all university postgraduate who was not exempt from this work should become a reserve officer, The Soviets were able to gather most of Polish intelligence. In Katyń, an admiral, 2 generals, 24 colonels, 79 lieutenant colonels, 258 majors, 654 captains, 17 naval captains, 3420 enlisted officers, 7 chaplains, 3 landowners, a prince, 43 officials, 85 Privates and 131 refugees died. Among the killed were besides 20 university professors; 300 doctors; respective 100 lawyers, engineers and teachers; and over 100 writers and journalists, as well as about 200 pilots. In total, NKWD shot almost half of the Polish officer corps".

In 1945, Maurice Shainberg was an assistant to the KGB Colonel Grigorija Zajcerwa, who was the commandant of the main labour camp in Katyń. In his book "Breaking from the KGB" (1986) Shainberg, a Polish Jew, tells how Zajcev's Katyn diary discovered in the safe. Shainberg had doubts about communism and identified with his fellow countrymen. He took a large individual hazard to copy portions of the diary. The "Zacerew Journal" was like dynamite due to the fact that the Soviets always claimed that the Nazis had committed a war crime.

The diary appears authentic, but for 1 major discrepancy. Zaitsev claims that the slaughter was forced by the deficiency of transport to evacuate prisoners before the Nazi assault in June 1941. In fact, Stalin and Beria ordered the killing of Poles in early March, and executions took place in April and May 1940. Only 4250 of them were shot in the Katyn Forest. The others were executed in prisons elsewhere. Many of them were caught on their shoulders in the White Sea and drowned.

The diary besides describes how the Soviets tried to indoctrinate and intimidate Poles to betray their culture and their country (as the Western elite did today), creating a puppet class in future Poland dominated by the Soviets. Poles refused and were so murdered.

A REGISTER

When Zaicev received the assignment, he was warned that all Poles are "educated spiritual fanatics" who always sing patriotic songs and hymns with their chaplain. Zait said, "Zev was convinced that he could teach them how to "pray to the fresh God."

The prisoners worked on logging from 6 a.m. to 6 p.m. in the evening they boycotted indoctrination sessions. They did not want to aid build the future russian Poland.

One officer explained, "As a Pole I know my people. no of us have the desire to dictate to another people, and we do not want another people to dictate to us. We are neither a fascist nation nor a communist nation, but a profoundly Catholic nation."

One time during a speech by the chaplain of the Polish Army Józwiak raised the crucifix he was wearing, and began to chant prayer. The prisoners followed in their footsteps. That night Józwiak was transported to the proceeding Chamber.

"The usage of electrical currents on the eyes and body of Father Jóżwiak did not help. The Chinese method was besides unsuccessful, where the prisoner was stripped from the waist down and forced to sit over an open cage with hungry rats. We couldn't let the priest go back to the another prisoners the way he left him, so we finished him off." (Shainberg, p. 165)

The NKVD thought the priest's example would sober up the prisoners, but alternatively limited their work. In retaliation, the NKVD reduced rations, making prisoners besides weak to work. erstwhile the NKVD began shooting prisoners who were not working; the others turned their axe against the guards and 192 Poles were shot.

Now Poles have been more disbelief than ever. erstwhile 1 of the collaborators taught them a lesson, they began to chant the prayer: "We, Polish soldiers and russian prisoners, have been brought here to die in abroad countries. We implore you, parent of God, to mock our nation... Save us from German and russian captivity. We sacrifice ourselves for the independency of our homeland..."

Of course, it is simply a kind of dedication and patriotism that our Masters do not want us to see.

"Our task was impossible," Zaitsev wrote. "People who have never met these Poles will not realize how hard it was to change their attitude towards us. No beating or bullying can make them halt singing. It's a tough and arrogant nation. all day they become weaker physically, but their anger and hatred grow."

Polish historian Krzysztof Siwek tells me that Poland announced on 13 April the National Day of Memory of Katyń Martyrs. "A joint Polish-Russian committee was set up to establish an authoritative position for both parties. Most controversy remains unresolved. The Russians fear that a full confession to the crimes against humanity will let the families of the victims to claim compensation and another penalties, as in the case of Germany.

Objective

Jewish bankers Illuminati and their masonry Gojów collaborators are melting the planet population into 1 servile class in the "New planet Order". This requires the demolition of 4 legs of human identity: race, religion, nation and family.

The Illuminati Bankers established the USSR as a precursor to the fresh planet Order. The execution of the Polish elite was essential for a long-term plan. The Nazis, besides the judaic creator of the Illuminati, treated Polish and another national elites in a akin way.

Illuminati are Luciferans. They desire to replace their natural and spiritual order (moral) God's rule. They must destruct the Western European Christian heterosexual mediate class in order to implement their programme. Culture is simply a function of money, and the Illuminati control credit. Thus our culture maintains a conspiracy of silence on the gradual overthrow of Western civilization by its own treacherous elite.

Instead, for example, in films, emphasis is placed on minorities. "Gran Torino" by Clint Eastwood tells of a peasant who learns to love children of Asian immigrants. Nominated for Oscar "Slumdog Millionaire" Tells about children of the street from Mumbai. "Milk" Sean Penn talks about a crusade to defend homosexual rights. Nominated for Oscar "Lector" combines pedophilia and German guilt for the Holocaust. "Revolutionary Road" represents the negative view of matrimony and the 1950s, which is the period during which the atomic household recovered. (I liked the film, but not the message.) "The Doubt" It concerns homosexuality in the Catholic Church. Nominated for Best abroad Language Award movie "The Class" She talks about young immigrants and how much they are loved. And so on, movies are propaganda for the Illuminati agenda.

When the movie talks about white Americans, like in "Benjamin Button", you can't keep any collective identity, you can't uncover any universalities. Life should be virtually turned upside down, in this case turned from old to young before it becomes curious in the screenwriter, Eric Roth. This distracting but yet empty movie is simply a triumph of makeup. There's nothing crucial to tell the Americans at this critical moment.

It should not be surprising, therefore, that the movie about Christian martyrs and patriots derived from anachronism called a nation specified as Poland will quietly be swept under the carpet by Hollywood.