
The latest movie by Agnieszka Holland may have broken all the levels of calumnia that can be made in this topic, and his script was possibly laid according to the delirium of any Ochoan lady. The sum of nonsense and innuendo around the essential actions of our border services exceeds all imagination, and the movie is simply a proof of the director's sick will and a lying study on the situation on our border with totalitarian Belarus. How well Zbigniew Ziobro put it erstwhile he said that Germans erstwhile shot films defaming Poles, and now they were replaced by Agnieszka Holland. There have besides been comments that propose that the movie gives up any bad propaganda about Poland and Poles, spread abroad, even in the Russian Federation. Thus, giving him a prize at the Venice festival besides gives him the suspicion that the esteemed jury is on Lukashenko and Putin's belt - as any commentators think - and the manager will sign off on the European Union, which cared so much about the destiny of refugees. The “scathed” is the past time utilized here on purpose, due to the fact that in fresh weeks, there has been a large change, and the EU is no longer a patron of illegal refugees today, but it is as if it is dropping from the tone, which suggests 1 of Ursula von der Leyen's speeches, which gives war to mobs since the spread of people, earning about 1,500 euros from each person, putting refugees to death in the waves of the sea or the Atlantic. For years, the Mediterranean has become a graveyard of thousands of amateurs of easy life in Europe.
What has changed migration policy in the EU so suddenly? Constant raids of boats and dinghys on the coasts of Greece, Italy or Spain are a scourge of these countries. Last week, on September 12, 68 barges with 2 1000 472 people landed on the banks of Lampedusa on 1 day alone, which is simply a record. The next day there were almost a 100 boats, and the number of illegals reached over 7,000. It is besides known that Italy (especially Sicily) is the area of mass exile invasion, while France and Germany close borders. Macron is besides planning a referendum on immigration. Will the penalties for refusing to accept refugees be withdrawn? Everything is changing and the film, which was to brand Poland for its policy towards immigrants, abruptly loses its meaning. Of course, it did not make sense at all and was just a hateful image, a sick and created in Miss Agnieszka's head, who does not live in Poland and does not identify with her, she besides prefers to identify with peerless people. Let's hope it's the way it was...-dixit utilized to be, and I think the patterns are derived from household complications that have been highlighted on our blogs lately, and so you can get to know it in person. There's stuff that's beautiful spicy... And I'm certain Miss Agnes doesn't approve, but why would she want it to be the way it was? It's hard to understand... The times of communism were so ghastly (see, for example, Mrs Agnieszka's father's biography), that possibly in the next generation a certain percent of people with strangely poisoned consciousness appeared? Miss Agnes' another films besides have various flaws, even a movie about Beethoven.. But may 1 search to purify one’s consciousness of any painful remnants, or may 1 remove them before the end of the world?
Marek Baterovich
![]() | Marek Baterowicz (born 1944) made his debut as a poet in the pages of "The Weekly of the Common" and "The Student" (1971). Book debut - "Verses to Dawn" (W-wa, 1976); the title was an allusion to the night of PRL. In 1981, he published outside censorship a collection of poems entitled "Having broken branches of silence". Since 1985 on emigration, since 1987 in Australia. Author of respective prose titles(M.in "The Seed Rises in the Hurt"-1992 and 2017) and many poesy collections, specified as "The Heart and Fist" (Sydney, 1987), "From that side of the tree" (Melbourne, 1992 – poems collected), "Place in the atlas" (Sydney, 1996), "Chair and Shadow" (Sydney,2003), "On the Sun leash" (Sydney, 2008). In 2010 in Italy there was a selection of poems – "Canti del pianoa", followed by "Status quo" (Toronto, 2014), a collection of short stories – "Jeu de masques" (Nantes, 2014), "Over large Water" (Sydney, 2015) and an e-book of his naval novel, settled in the 16th century "Aux vents conjurés". |