In a perverse parabola about the engaged parenthood, Jan Komasa plays with the concept of home imprisonment and horror iconography to tell about the familial utopia in opposition to the world's deficit.
In a perverse parabola about the engaged parenthood, Jan Komasa plays with the concept of home imprisonment and horror iconography to tell about the familial utopia in opposition to the world's deficit.
![„Nowa żona” dryfuje bez „męża” po Zalewie Zemborzyckim. Poszukiwany właściciel [ZDJĘCIA]](https://cdn.spottedlublin.pl/media/2026/06/lodz_nowa_zona_dryfujaca_na_zalewie_zemborzyckim-ae952aeabd43.jpg)
