Joseph Szajca and Bohdan Lachert formed together. After the death of the former, any thought that the Shanghai was the driving wheel of the duo, and without it, Lachert had small to offer. Their work together ended the war, but to this day they are believed to be the most crucial representatives of native modernists in architecture. I live close a building designed by a Shanghai. I'll show you why it was an different figure.
We can't make up utopia. Looking at modern projects of smart cities, we see very frequently pre-war ideas or return to solutions that were created in PRL. This is simply a large charge against modernity, but at the same time large praise for those creators whose ideas have not aged to this day.
Joseph the Shanaizer is the best example. In 1934 he wrote that the expansion of the capital was chaotic. "Nervous rush, whatever it is, and for whom it is essential to build" – after all, we might as well justice the developer's troubled Polish cities. At most, adding that the sole intent of the construction is to make a living, not that people have a roof over their heads.
Reading his 1934 column, it scares how current the problems are. The blackmailer noted that no 1 asked himself why something was being built “here, why not a 100 meters to the right or left, or possibly 2 kilometers further”. Already then, he was worried about cutting off hundreds of thousands from nature, air and light, condemning them to “watching grass and trees through shards of private gardens.”
The Łódź building, designed not with Bohdan Lachert, and John Kukulski, is not the most celebrated or prettiest in his achievements. However, it shows what the architects of that time meant. For whom they built and what they cared.
The building complex created by ZUS is located close the park. And this 1 cuts through the blocks in which both intelligence and workers lived.
Buildings are ordinary, undistinguished, but they surprise with “breaks” and folds
Walking down Dygasinski Street in Łódź, you can see this particularly: acute breakdowns let us into the yard, and at the same time as if they separate them from the road. The yard is hidden, there are quite a few greenery and benches on tiny squares so residents can see each other. It's a small, but well-designed architecture that you enjoy walking on.
The complex does not seem to delight aesthetically, especially today, due to the fact that it is clearly neglected. any buildings have been tried to paint in white, but the old water tower, 1 of the most interesting elements of the full project, has a typical Polish paint block.
And yet he's been getting my attention for a long time. Simple but interesting. Surrounding the complex – located in full on the streets of Dygasinski, Unicka, Bednarska and Sanocka – we inactive watch something new. Going to Bednarska, we do not anticipate to see a tiny galley in Dygasinski, that is, the entrances to the apartments were located not on the cage, but on the "Balcon". In addition, there are plenty of greens everywhere: trees, lawns, and the Legion park is simply a short shot.
I love buildings from Dygasinski, which are part of the working quarter, where you walk down the street, where there are besides old, tiny and very charming villas. I can't halt enjoying the block at Unicka Street, which falls down along with the street to yet turn with it. It's a long block, and at the same time amazingly light and agile, due to the fact that it feels like it's inactive moving, it's rushing.
It was there that these better, larger apartments were located, due to the fact that the 4th at Bednarska Street was inhabited by officials. Although the elite surely did not guide the Shanajka and another modernist architects – on the contrary, apartments were expected to be for everyone – in time the reputation of the settlement proved to be a problem. The Germans started evicting the inhabitants in 1939. Families of soldiers and officers of the Wehrmacht were accommodated in their place.
The difference in the division into the authoritative and working part was due to the fact that different social groups were not separated from each other. The dwellings for the workers were cheaper adequate for the working people to live in them.
There was a lot going on inside:
New in each apartment, specifically described in the newspapers, was the sink, meaning "a large bowl, divided into 2 parts, and equipped with devices, allowing for the usage of the washroom on the 1 hand, on the another hand from a bowl intended for washing kitchen vessels" ("Dziennik Łódzki", 1931). Under the sinks there is another novelty – ventilated cabinets. For the first time in Łódź, Swedish-type combined windows were besides used, providing better protection against cold. The common spaces were carefully constructed – the buildings included laundry and dryers and bathrooms for tenants of working apartments, which had only toilets – read the website == sync, corrected by elderman ==.
Joseph Szajca and Bohdan Lachert: a duet from everything
They created a lot, not only buildings, but besides furniture, bus stops or villas for private investors. However, many projects failed. Nevertheless, they are among the most crucial modernist architects.
In the biography of the “Architects of avant-garde” the callers Beata Chomatowska point out that they were part of the movement, they did not follow it, but they created it. The specified fact that Joseph Szajca and Bohdan Lachert worked in the duet for so long and had many projects on their hands is evidence of exceptional cooperation. "They held their hand on the pulse, wanted to be always the first" – they wanted to usage materials that were just entering to make and test them in practice.
Joseph Shanajca died in an highly unfortunate death. due to his health, he could not participate in planet War II. However, he wanted to service his country, so erstwhile it turned out that he could transport 1 of the generals as a driver, he immediately volunteered. The convoy came across a patrol at night, the series hit a superb architect in his head. The passenger survived.
