Bożena Ratter: It is through cinema that the dust of revolution is poured into people!
date:January 05, 2024 Editor: Anna
Film propaganda opens the way for us to the masses, strengthens our influence on the people, and yet - without large difficulty - promotes communist slogans- an ideological basis for russian movie production was established in 1923. It has been 100 years - ideological foundations remain, movie productions thanks to modern means of TV, Internet, Netflix ... without large difficulty influence the “people” sipping communist - postmodern slogans without restrictions and control- children and adults.
The movie is simply a powerful force in the hand of the Bolsheviks- continues the author of the previously quoted text from the 1930 "Fighting with Bolshevikism" . This may be worth remembering erstwhile winter holidays are approaching and the viewing of films promoting the change of the alleged sexual tendency and sex identity in children and young people as an expression of human freedom and autonomy. This besides applies to classical films, specified as Disney, modified in this direction.
“It is through cinema that the dust of revolution is loaded into people as if they were rifles!...”- the words of the russian cinematographic expert Frechakov after 100 years cured Zhang Yiming by creating the most sinister system, which, like a rifle, depends on the primitive content of hundreds of millions of teenagers.
The creator of TikTok made a luck in making a perfect mechanics that destroyed the psyche of millions of net users and led to a massive primitiveization of culture -Jakub Wozinski, article "Dopamine King", Basin No. 51/456.
Combating Bolshevikism, notebook 30, 1930: In fresh years, cinematographic images of russian production are increasingly displayed in European countries, or produced in Europe or America, but commissioned by the Soviets. These films, frequently awesome with advanced technology, always have a certain propaganda-revolutionary tendency. This has already been highlighted in respective countries. In Poland we besides observe the invasion of films promoting revolutionary scheduled slogans, frequently equipped with a very innocent looking frame. Therefore, we consider it useful to lift the veil publicly, covering the real intent of the movie offensive, organized by the government of S. S. R. What is the theme?
In an interesting Bolshevik book “L’Art dans la Russie Nouoelle: Le Cinema”, written by Rene Marchand and P. Weinstein, this is how this case is covered: ... Cinematographic art should meet the needs of social relations both in production and in operation. This is simply a goal that can be achieved slowly, progressively. It is essential to make scenarios with circumstantial content, train fresh staff of directors, actors, entrepreneurs. We must interpret our own life according to our aspirations and according to our material and method means. The content of the scripts should be derived from post-Revolutionary literature and bear the mark of the revolution. Modern life and its customs must show the abomination of the already disappearing past in comparison with the creative revolutionary future"...
(... )The basis of the alleged historical films are in S.S.S.R. the principles of lenism: "historical materialism", and "economic determinism". Therefore, they are not a communicative based on truth, but a communicative that has been transformed biasedly for communist purposes. any of these films are dressed in the robe of literary works, but under their outer decoration there is always the goal of the universal revolution. (Fighting with Bolshevism 1930 of 30)
It has been 100 years and the work of the “leading” manager and “leading” author under the outer decoration hides the same goal, the goal of the universal revolution. This besides applies to books by another authors matching historical facts with communist propaganda or political correctness, as for the PRL.
It may be worth referring the current state to the description of the 1930 russian movie "Fight with Bolshevism":
Cinematographic art in russian Russia does not be by itself - it exists for political purposes. Deeper analysis shows that they are dangerous propaganda of Bolshevism - they cast specified slogans as: out with a wealthy peasant, out with a family, live free love, spread anti-militarism, apoteize revolution, or spread hatred towards superior power, fight imperialism, call for rebellion against power.
Following acceptance of the subject and script by the executive committee of the cinematographic centre, the committee moves on to analyse the script politically. In this way, the notified task is approved or rejected by another institution, including a state institution, by a "control committee". The main committee of the cinematographic centre then collects an “artist council” to implement the film. Further, co-workers are selected and a “group” is formed, which actually stages the film.
In 1928, the company of russian Ukraine "Wufku" founded a description in Kiev on 40 hectares in order to make an external decoration; 20 groups of designers can simultaneously work and make 90 films annually. On the basis of a peculiar agreement with German cinematographic companies, respective directors of Sowkino are working in Berlin to make films paid by the russian government. 1 of the Dutch labels besides made a akin deal with the Soviets, and late the Soviets are dealing with Hollywood labels.
For the 4th time, the movie is explored by representatives of the revolutionary cinematographic union and elected journalists, and russian critics. The russian press must not compose anything about the content of the views expressed in these committees, as the movie is subject to the 5th review, the final one, carried out by the central committee of repertoire control, which the movie approves or rejects. It besides happens that the russian authorities let to display an approved movie only in certain provinces of S. S. R., or only in Communist clubs, and decide which civilized countries the movie should be exported to. (Fighting with Bolshevikism, notebook 30, 1930)
Our intelligent ancestors recognized this process and made citizens aware:
"Fighting with Bolshevism", notebook 30, 1930:
Remedies. In order to be able to effectively prevent revolutionary action, through a movie run, effectively defend, you gotta usage all the resources in your hand. They are as follows:
1. The State Censorship of films, focused in a peculiar movie office in the Ministry of Interior, should be more vigilant and should prevent the display of subversive films; if the number of censors or method devices of the office is insufficient, credits should be increased for this purpose.
2. Supporting beneficial films that inspire the instincts of social order, morality, spiritual sense, national solidarity and active patriotism - it is essential to organise as much as possible, reduce taxation fees from specified films, exert force towards the most common display of specified films and at the lowest prices.
3. Organizing a healthy public opinion to counter the display of subversive and demoralizing films, and demanding healthy and useful films in all respect. The "Central Office of the Organising Agreement, which cooperates in the fight against communism", will be watching over the implementation of these demands.
Oh, my God.
