Keith Warner in the staging of "Borys Godunov" constructs a vehicle to show the past of Russia – a peculiarly absurd case. Thomas Guggeis conducts, extracting from Musorgski's score her darkest colours. It is grotesque and shockingly pessimistic. That is, like Russia – erstwhile and now.
Absurd of Russian power, or “Borys Godunov” at the Frankfurt Opera
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